The work of renowned Hungarian screenwriter and director Miklos Jancso has grown increasingly enigmatic since his first film in 1958. Jézus Krisztus horoszkópja is no exception to this rule. Jancso emphasizes highly evocative and ambiguous imagery over dialog or exposition. Here he seems primarily interested in showing the painful, stunted lives of Hungary's intellectuals, who ...$5。堪比Fear and Desire的渣画质瞎了我的眼。。不过有内嵌英字，勉强能看。$镜头相比于早期的个别极端电影碎了点，故事题材有所改变，但仍无法忽视个别运作极强的长镜头。$每提及斯大林和赫鲁晓夫（或亲苏言论），必有警察阻挠和查验身份证，结合影片上映时间，像是在影射东欧剧变下的亲苏派与反苏派的政治角逐，以及身份迷失的探讨也颇具玩味；用监视器/电视并置呈现现在、过去和未来的画面，打破传统时间观与蒙太奇范式，也可能如《鹮鸟踟蹰》中隐喻电视与电影的关系，电视能否取代电影。
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